The ever changing life of an artist

Oh boy, it ended up being soooo long since my last post! But really, the last six weeks or so have been absolutely non-stop so that's why. This is literally the first free day I've had in ages. Much of it has been really fun, some has been simple hard work, and some has been unexpected difficult personal stuff that this isn't the forum to discuss, but all in all it's added up to a hectic time!

S, let's talk arty stuff that's been going on! As usual there's lots of ongoing stuff that I need to mention. So first of all, there's the big Geocaching project that I have become involved with. For those of you that don't know about Geocaching, it's basically like a real world treasure hunt where you use a GPS device which is hooked up to a worldwide network of "caches" that can be anything from a tiny camera film tube (remember them?) up to a cleverly camouflaged hollow log. Inside is usually a log book to sign and in the bigger ones some treasure you can take as long as you put something else in its place. It's basically the best known way ever to get kids to go on walks, as it makes them a real adventure. I have some really good friends that do it all the time with their kids, and I sometimes tag along, which when I mentioned it to another arts officer that was involved in the emerging artists project I talked about in my last post, was enough to get me involved with the project! (that's how my luck goes lately!) So, for the last couple of months, and until the end of August we are doing Geocaching events with lots of local schools and community groups. As part of my job to make it awesome, I arranged a meeting with a professional games designer called Holly Gramazio, who I had heard talk at the Future Everything conference I mentioned before. She has been involved in designing all kinds of awesome, real world games activities that you can find out about on her website. So travelling down to London to have a meeting with her was one of the things that kept me busy in May! She was able to give us some really good ideas about how to get the actual "treasure hunt" aspect of the event to run smoothly. Aside from that, we work with the kids before hand to find good hiding places, make their containers and the treasure, and make clues for others to find them with. Here's some pictures of some of the things we've done so far:

Our first batch or containers and Easter egg treasure

Dragons and their eggs made for a Fantasy themed treasure hunt

A well hidden cache

A really well hidden cache 

Containers for a WW1 themed hunt

The treasure to go inside

There's still lots more of these to go, including two events in Princes Park in Irlam to commemorate the WW1 centenary, that will be open to the public, but at the half way stage I would say the project is going really well! With the school we are currently working with we are hoping to put up a permanent Geocache that can go onto the worldwide network for anyone to find. Watch this space!

Right, as usual I have to dash off soon, so just time to tell you about my mixed fortunes at getting some of my artwork out there for the general public to see and buy!

On the plus side, I have started becoming a semi-regular trader at the wonderful Levenshulme Market. If you live anywhere near Manchester I really recommend checking it out. It's on every Saturday, but I go once monthly when the theme is "Handmade and Home". There's always lots of great food stalls and a bar at all the events though, and it's a really fun day out! I've been for the last two months - the first was great, with awesome weather, the second a bit of a monsoon, and fingers crossed for the next time I'm there, which will be July 7th!

How my market stall looks these days; regular blog readers will notice a degree of improvement from my earlier efforts!

I have also managed to get my work into an exhibition and an art gallery! Yay! The exhibition was part of "Fringe Arts Bath", a big annual arts festival taking place in that gorgeous city. Unfortunately the actual exhibition was on when things were at their craziest for me last month, so I couldn't go and see the exhibition. The lady that organised it kindly sent me a few shots of my work in situ, so here they are:

  

I wish I could have got to see this exhibition, but Bath is a pretty long drive from Manchester, and I struggled to even find the time to drive the pieces down for the show, let alone go again for the exhibition! And they are currently in the spare room of my friends house waiting for me to go and pick them up, because I couldn't get down there to collect them yet! Life as an artist can be so hectic sometimes!

Finally, there's my work in a gallery! It's the Mill Bridge Gallery in Skipton, a gallery dedicated to photography and sculpture. I have actually been in negotiation with Carina, the lovely lady that runs the gallery for several months to have my work up there, but she only has very limited space so she had to wait until some was freed up. So now I have a couple big pieces up on the wall there, and I left a few smaller pieces with her in case some more room becomes available. I must admit, it was a pretty proud moment, hanging my work in a commercial gallery for the first time! Here I am with my work, looking pretty darn pleased with myself! (Excuse the quality, it was taken by my husband, who was also excited!)

The two pictures in context, next to the work of a photographer I really like. Note the distressed frame on the top piece, which is a new innovation.

Right, well that's all there's time for today. Still lots to mention as ever, including how I nearly got included in a pretty prestigious exhibition, but then didn't, plus other exciting moments in the ever changing life of an artist! I know I say it every time, but I really will try and make it not so long until the next post!

Wonderfully unexpected things

The wacky world of community art!

Once again the time has flown by since I last updated the blog. I begin to see why some bloggers make it a full time job! However, I have been putting my time to good use, so as always there's so much to talk about!

Well, firstly I should mention the Community Art projects I have been meaning to write about for a while now, as that has become a big part of my "job" in recent months.  

I say "job" like that as it still feels weird to call myself an artist as my job title. It just sounds so self important when I said it to people, so I always say it with a hint of irony in my voice, and then go on the add qualifiers like "which is probably a stupid thing to try and do, but..." I am getting a bit better though! And it's stuff like this community work that make my goal of being an artist for a living seems more feasible.

So, way back before Christmas I mentioned that I went to a meeting of the "Salford Arts Development Network". From this I met the local arts officer, a lovely lady called Andrea. Well, through Facebook I then saw that she had posted an opportunity for local artists to get involved in developing workshops for the community. So, I applied for that and was successful, so after a few days of induction I teamed up with two other artists with similar interests. Our brief was to develop a six week programme of events for a community group that we had identified as not currently being served by art activities available in the area. So, long story short, our group decided to do junk modelling and related things for parents and toddlers. There were two other groups formed from the same workshops, and they did a course of art classes for adult beginners and an up cycling class for adults. So, now we are in the middle of delivering these classes. It's not been easy attracting people so far, as the participants have to pay for the classes which is hard when money is tight, but we are actually changing the venue for the second part of the schedule, to hopefully make it more appealing. Here's some details on the Salford Council website (although it mentions to old venue not the new one)

Here's an example of what we made in the first week; junk model structures and vehicles - the weirder the better!

 It's been a really invaluable experience for me, giving me the confidence to think that there is a future as a freelance artist who delivers classes to community groups, and perhaps schools, as I have a lot of prior experience working with young people from my "old" career in education. So, in my mind a hazy plan is forming of being a freelance artist who offers tailor made one off workshops or ongoing art club style classes to schools, or the local council or community venues. It's still early days, but I have high hopes that this could be one of the ways I can make this "being an artist" thing into a realistic career. 

Through this I've also got involved in another big project in Salford, all to do with Geocaching. However, let's talk about that another day, as there is much more directly art related stuff to tell you about as well!

So, as I mentioned in my last post, I have been absolutely LOVING having some studio space. It's really given me a whole new lease of creativity, which so far has mainly taken the form of painting! I always had a slightly tortured relationship with painting; I loved the idea of it but was often slightly disappointed with the work I managed to produce - it never quite lived up to the ideas I had in my head. Well, I've kind of had a breakthrough on that front. My solution seems to be; don't go in with any fixed ideas of what you're going to create, and it's just freed me up so much. 

Here's a good case in point. I prepped a canvas with a clear idea in my head of what I wanted to do. Paint a dark base colour, then layer on some newspaper, then paint over the top, then tear away some of the paper, in an attempt to replicate the kind of images I capture all the time with my camera, and specifically something like this:

However, when I got to the painting over the newspaper bit, I somehow got the idea to pick out some of the nice patterned elements of the pictures on the paper, and then embellish them a little with some different coloured paint, then to use my newly acquired chalk pens a little, and then, why not?, a little pencil..... a few hours passed by in a blur. I was "in the zone", and as a result created something I didn't expect at all, and which was unlike anything I had ever painted before;

I was really excited by this! I realised that if I just relax my expectation of where things will go, interesting things start to happen. This kind of ties in with what my interests are artistically as well - I like very much how unconscious and unintentional things play out in art works - that's why I particularly like my photos that have the scribble of a workman in them or something - an element that was never intended to have an aesthetic aspect, merely a functional one. Anyway, I digress. This new style of painting really energised me, and made me desperate to do more as soon as possible, so the next free day I had I returned to the studio and made another. I'm not sure I was in the zone so much this time - I wanted to keep it light and free, but of course it would never be like the first time, as I now knew roughly what I was trying to achieve. Anyway, here's the result of my second attempt in this style;

I'm not sure if it's quite finished yet, but I'm pretty pleased with it. Again, it didn't turn out as I expected, which I am now taking to be the sign of a successful piece of work! Here's a detail to show you how I blended the newspaper beneath and the painting above;

I think I ended up using the pictorial elements of the newspaper less in the first picture, which maybe made it more successful overall, but I think that was also because this second piece is on a much bigger canvas, so there simply needs to be more stuff to fill the picture. Also, you can see clearly here how rumpled the surface is. I experimented with a new type of glue, and I'm kind of 50/50 whether I like it or not. As a general rule I like adding a bit of texture, but on the other hand it actually makes the images harder to see in places.  Hmm, lots to think about before attempting my next piece... I can't wait!

Ok, so I guess that's enough for now. As always, so much more I could mention. May looks like the busiest month yet since I've moved to Manchester, so I apologise in advance if it's another few weeks before I get back here. I'll try not to leave it too long, but there really is SO much going on! I'll leave a few things here as teasers for you/reminders for me: The Geocaching project, the lovely folks at Islington Mill, my first time at the wonderful Levenshulme market and other people's photos albums! And remember, if you want a bit more regular updating of what I've been up to, check out my twitter feed @HannahGerg

Painting and patience...

Argh! It's taken ages again! And I DO like blogging, it's just it feels like a guilty pleasure when there's so much WORK to be done! Ok, so as usual, loads to report. Lets see if I can get through a reasonable amount of it this time!

So, first up, I mentioned in my last post that I have some studio space now. Well, this has been really great for me, and has lead to a real burgeoning of ideas and creative work, even though I've only managed to get there for a few days. (That also feels like too much fun to be proper work!). Anyway, after not having done a painting in ages, I'm suddenly being very productive on that front. I also had a go at doing a collage partly using some images of my photos, and partly using some awesome paper I have been saving for just this occasion, which I bought at a sale from the irresistible paper selection at Paperchase (one of my favourite places to get art supplies, when I can afford to get the good stuff! The Manchester branch is just a few minutes walk from my front door, and has a whole floor dedicated to fine art supplies). Ok, so here's some pictures.

My collage piece

A painted study of different textures

A set of four (unfinished) smaller pieces

As you can see, these pictures are much more abstract than my previous painting, and therefore much more like my photographic work. They are all really more like preliminary sketches rather than finished pieces, but hopefully with these I am laying the foundations for some really strong painted work in the future. And that makes me really excited!

In other news: I sold a piece on my Artfinder page! If you sign up to Artfinder, you get a daily email with a piece of work and a paragraph of description from the artists. So, I applied about a month ago tot get my work featured, and then about a week ago it was, resulting in a bunch of new followers and this sale! The picture I sold was this one, already established as a firm favourite of many:

"Red Archipelago"

So, this just goes to prove, if I can get some exposure for my work, I can get some sales from it! This is really encouraging! I just have to figure out how best to do that now....

Also as a result of this sale, I had to actually take steps to find myself a good fine art printer in Manchester. I was really happy with the printer I used to work with down in Devon (the lovely Mike at Formatrix), and I was apprehensive about trying to find someone as good again, but DK at Sketch 360 was so patient with me as I procrastinated about how best to set out the print, and the finished product was every bit as good as my previous print, so I was really happy with the final result. So now I know which printer I'll be working with in Manchester, if and when I sell more prints, and that's a really good thing!

Ok, as usual, so much more to say than I have time to write. Just a few quick things then:

Last week and at the beginning of this week I volunteered at the Future Everything festival, which is a kind of a big deal around these parts, especially for people interested in where the future is headed in terms of technology/science/art/media/society, so every year they have a festival of music and art, plus a conference to debate these things. I was involved in the art part and the conference. Both were really interesting and useful but it would take all day to explain why - maybe I'll mention more next time. For now, here's a good summary of the arty stuff that went on: Future Everything: City Fictions 

review

Also, I will be at Paddiham market tomorrow from 10am. Longtime readers of the blog will remember that it was the very first art and craft market I went to, back in November of last year. I had good sales and response that day, so fingers crossed for the same again. As mentioned previously, I'm going armed with a new secret weapon: Stickers! Check them out:

Right, I'm just going to put down in writing now, so that I'll have to talk about it next time, something I keep meaning to tackle - which is my increasingly exciting and lucrative work as a community artist. This is something I've just kind of stumbled into, but it might be the best long term prospect of making this artistic career move pay off, so I MUST go into it in more detail. So, now I've mentioned it, I will have to NEXT TIME!! 

Oh, and finally, after some thought, I have gone ahead and done what I have been resisting for a while, and joined another social media platform: Twitter. If you have already succumbed then come and keep me company @HannahGerg. I might try and use that to post more small but regular news about what I'm up to, so if this blog moves a little slow for your liking, that might be the place to go.... if not, my patient friends, then next time... 

All kinds of awesome

Hi! Wow, I didn't realise until I looked at the date of my last post just how long it's been since I wrote something here. Also, that last post was really whiny wasn't it? Ok, so if neither of those things has put you off and you're still reading this, let's have a nice fun, moan free blog post! I promise to only talk about cool and awesome things in this post, and post lots of nice pictures too!

So, as promised in my last post, here is the painted version of the "Future Mars" image I also did a version of on Photoshop. As you can see, it's a mixed media collage style piece, which I quite like the effect of, but I might also try a purely painted version as well. As I said before, I haven't done any painting in a really long time, so I was pretty pleased with the results of this, although I consider it more of a "sketch" than a finished piece. The sort of texture in the sky was created because there's actually a layer of newspaper under the paint, which gave a really nice effect I think - I think the depth it sort of builds into the image without adding loads of layers of paint.

Ok, now onto awesome thing number one - I now have some studio space! For the very reasonable price of £25 a month (most studio space is normally about x5 that!) I have some room in a flat above a hire plant shop. The flat is pretty run down, but there's running water, a pretty good amount of room, plus other artists to hang out with, some of the time, and some of the time you have the place to yourself! Pretty much perfect! I have been kind of inspired to do more painting after this effort, which is the main thing I've been doing there since I got it. I've also been inspired to do more painting because I keep discovering awesome abstract painters on Saatchi Art who make me think "that's so like my work, only painted not photography!! I could totally do that too!" Here's a couple of my favourite recent examples:

WHITE by Ana Devora

I like the absolute minimalism of this one, with just the faintest hints of newspaper print underneath. It made me realise that sometimes less is more with abstract art - I might try some really pared down, single colour images a bit like this.

Maritime blue by Christian Hetzel

This one could really be one of my photos of the side of a boat. I'm going to enjoy trying the figure out how to replicate those scratches and worn areas in a painted surface!  So, watch this space for some results of this sudden burst of painterly inspiration soon!

Awesome thing; the third. I recently put in an application for a residency at a local art centre. I haven't heard back yet whether I've got it (and probably won't, as they seem to want slightly more established artists), but in making the application I had a bit of a breakthrough about how to take my work forward. I really want to have a go at making some of the themes of my work really explicit, and perhaps try to bring them to life in a gallery setting - so maybe investigate the unconscious creation of the marks in my pictures, and the idea of "unseen/ unknowing collaborators" (phrases I've been using about my work a lot recently in applications, and an idea that really intrigues me, I now realise). I'm not sure how exactly I would do it, but it would definitely mean moving away from traditional media and maybe moving more towards installation and even performance art. Basically I want to somehow involve members of the public in the creation of my works (like they do out on the streets with my photos, y'see?), but I also somehow want to figure out how to make it a random or unconscious contribution, so the idea needs a bit of work. However, I think it could be a really exciting new direction for me, and I also think it might be the kind of thing that a contemporary gallery would really go for as an interesting exhibition, so even if I don't get this residency, I'm going to keep working on this idea and will submit it to any other opportunities for which I think it fits.

Ok, well there's many more awesome things to discuss, and I REALLY will try and get back sooner with them, but for now I'll leave you with one final awesome thing; a new product I'm working on for my upcoming return to the art fair scene; stickers! Here's a few of the little details of my images that I am planning to get printed out to sell with sticky backs. 

  
 

Am I tempting you?

The Chosen Few Pt 2

Well, that was hardly soon, but I am back! As usual, way more to tell you than I probably have time for, but I'll try and squeeze in as much as I can!

OK, so first to deal with those topics I mentioned in my last post. First I'll wrap up this whole "chosen few" thing. So, yeah, basically, this is something I'm discovering about the art world, and I think it's kind of a rubbish thing. It just feels like the art world is a pretty elitist, snobby and unfriendly place, where those lucky few at the top who get all the attention/commissions/prizes/exhibitions whatever, are very reluctant to help or even interact with those further down the pecking order. A recent example; an artist I just discovered on Saatchi Art, whose work I think is AMAZING, but also very much like mine except in paint, and is very successful, didn't bother to reply to my very effusive email or the friend request I sent her on that website. Just a small thing, but it kind of bugged me, and I do remember thinking to myself after I looked at their website "Wow, they've had loads of exhibitions, I bet they won't get back in touch with me, they're so successful!". And my pessimism was correct. Anyway, that's a small thing compared to my next complaint. As I think I mentioned before, I went to a talk by a successful London based art curator, who has been responsible for putting on loads of big shows and working with lots of famous artists. Her advice about approaching galleries? Well, it was pretty depressing. I don't think she meant to do this, I really think she was trying to be helpful, but the basic message she sent out was "Curators are busy people, artists are always trying to get to meet them, you're really kind of an annoyance, so don't bug them too much". OK, I'm exaggerating for effect, but that really was the effect what she said had on me. Let's examine a fews key things she said:

1.Don't just send in work unsolicited to galleries, you need to build up a personal relationship with a curator if you want them to show your work.
2. On the other hand, don't expect curators to have time to talk to you at opening evenings, they are there to promote that artist's work, not talk to aspiring artists.
3. When an curator gives a talk, that's a good time to go and introduce yourself, perhaps by dropping into the conversation that the work they were talking about inspires you. (Yeah, I thought. Go join the line of all the other desperate aspiring artists all keen to compliment your talk, as it is the only opportunity they will have to meet you, and you only do it every few months.)
3. Most of the artist's they work with are people they've worked with before, or have been recommended to them by those artists or other curators.

So basically, she built up this picture of a really closed circle of elite artists and curators who all work with each other, and who don't want to be disturbed by us mere mortals, because, y'know, they're really busy doing ART! This talk kind of depressed me, as you can probably tell. Also, in my mind at least, confirming this theory, I didn't get into the Open West show. I sent in £42 entrance fee just to be considered, so these guys are happy taking money of us mere mortals, just not showing our work. (Incidently, I partly did this because the curator said you must enter shows, because even if your work isn't selected, at least it gets seen by a curator. Great. £42 well spent then.)

So, as you can tell, I'm a little fed up. But I'm not gonna let that stop me! I know I've had a problem in the past about getting one rejection and then going home and feeling like setting fire to all my work, because it must be all rubbish, and I know that to survive in this business, I need to get more resilient. And you know what? Like I said before, I am honest with myself, and I really do feel, deep down, that my work is good, so that makes me stronger. Now I just have to figure out how to convince all those people at the top of the food chain about that!

Right, well I am actually off out to go see some art now, in the form of the "Diagrams" show at the Holden Gallery, so I have to dash. Actually, when I first conceived of this blog I intended it to be a lot more about going to see other artist's work as well as my own ups and downs, and actually I have recently gone to see several really cool things, but as usual, it will have to wait until next time!

Ok, in the meantime, as a counterpoint to all that doom and gloom, here's something new I've been working on. It was initially in response for a request for work for an exhibition on the theme of "Speculative Futures", which I may or may not still enter - the deadline is tomorrow.
My inspiration, as a Sci Fi geek, was the question that's been on my mind a lot lately, about whether we will ever colonise Mars. (There was an awesome programme about this on the BBC recently, plus the "Mars" trilogy by Kim Stanley Robinson, that deals exactly with this issue, are some of my favourite ever books). I was thinking - would mankind at this moment make a good job of colonising Mars, or would we be destined to make all the same mistakes we do here on Earth? So this piece kind of came out of that. I made it from photos I took all within about a mile radius of my flat, so if it looks Mars like to you, I'll be pleased!

"Mars Future?"

Actually, this piece raises another issue I'm struggling with at the moment. Can something made entirely in a computer be hung on a gallery wall as "Art"? This piece does look a bit "Graphic Design-y" for want to a better expression. If I had more time, I might have printed it out and painted over it. I did make another version as a painting, which I'll maybe post next time. It's the first painting I've done in ages and I'm about 85% happy with it. But maybe splashing a bit of paint around is what my work is lacking at the moment, at least in the eyes of those that make decisions about these things....
OK, running late. More soon(isn)!

The Chosen Few Pt 1

Hello again!
Well, it's been another busy week or so since my last post, and I'm going to endeavour to get up to date on all the stuff I haven't mentioned that I've been doing up till now, so this might be a long one.

Ok, so first a few updates. I didn't get through to the next round of the Saatchi Art competition! I was disappointed, but not too surprised. I had a look at the 300 which did make it through to the next round, and I have no complaints really. There's some fantastic artworks there. Check it out for yourself if you are interested; here. Actually, I do kind of have a complaint. Hardly any photographic works! Which is obviously the reason mine didn't get chosen ; )
There were lots of abstract paintings, which I think my entry would have looked really good next to; that's one bit of comfort I take from not getting further, that I really do think my work was just as strong, and I like to think I'm honest with myself in these instances. If anything, I'm often pretty harsh on myself, so I think my judgement is sound. So, why didn't my picture go through? I dunno, could be lots of reasons; not being in that "inner circle" of artists whose name is already known, or not being established enough on Saatchi Art. (more on being one of the "chosen few" of the art world, later on). Also, I hope this isn't true, but maybe I'm picking up from the few photographic works in the final, that there is still a feeling in the art world that a photo can't be "Art" in the same way that a painting can. Saatchi Art prides itself on featuring a very modern kind of art, so that seems surprising. However, it does make me more than ever want to have a go at painting some of these images that I've been photographing, as I've recently discovered on Saatchi Art a couple of painters whose works that looks so much like mine, but in painted form rather than photographic;

"Day and Age" by David Frederik Mousallem

"Landmark" by Tracey Sweeney

You see, for me, my work is on a par with theirs, and actually has an extra layer of interest, because my images are of REAL things that I found, rather than things I created in my studio. But I guess, for some people, it's that act of creation that is the important bit. My work is partly about finding beauty in the world around us, so the photographic element is important, but I do feel like I maybe need to add some painted elements to put my stamp on what I'm doing. Maybe a collage mix of photographic and painted elements is the way forward... watch this space.

"Calligraffiti III" by Galen Cheney

Ok, because this will be a long post, let's break it up with some more lovely images. Here's a few of my favourite pictures that made it through to the next round of the "Showdown" competition:

"When I Close My Eyes" by Pien Van Der Beek

"High high" by Sunyoung Hwang

"MOD659" by Andrea De Ranieri

And just to prove I don't only like abstracts (although you begin to see what I mean about strong personal preferences in the last post!)...

"Jardin Du Luxembourg September, France" by Susanna Bark

Wow, some great work, and I could have picked another dozen I really liked. And, actually going back to see the things I voted for I see there was lots of other really great work that didn't make it into the top 300. So I'm not gutted at all. No. Not me. That's coming through really clearly, right?

So, to prove that I'm bouncing back from this rejection, I've entered some work for a big contemporary art show called the Open West. Of course, being me, I got my entry in at the last minute, but fingers crossed it should be before the deadline. Looking at work that has been selected in previous years, I (once again) think I have a pretty good chance. I paid a little bit more for entry so that I could put in 4 pictures instead of just two, as I think the more of my work you see the more it makes sense. So, here are the four pictures I entered, some more from the batch I recently processed from Budapest;

With the second here in particular you can see how the work I enter to show at art shows is a bit different from that which I print to sell commercially. I guess it's less about looking aesthetically pleasing and more about showing clearly what I'm about - the marks made by unseen hands, the layers and textures, perhaps the mash-up of text and graffiti that can be seen on your average urban wall, but is here given a bit of a twist. Anyway, I should know about whether I'm one of the lucky forty selected for the show by the 19th, so fingers once again crossed. Ok, as usual, it's time for me to go, and I STILL haven't got round to sharing all my news. So, for next time: more about "the chosen few" in the form of a workshop I attended at the weekend by a top London curator, plus a recent trip to a great art gallery I stumbled across by chance, plus my recent metamorphosis into a community artist! I'll try and get round to that tomorrow..or soon!   

Vote for Photo Abstracts!

Whew! It's been a while I know, but I can honestly say it's because I've been a busy, busy lady! I'm not sure exactly what all this running around has achieved, but run around I have. First things first. I've tidied up the blog a bit, as you can see. I think it was probably a bit too "busy" before, so I have decluttered a little. Hope you like it!

So, I guess the first and most exciting thing to tell you is that my art is now available to buy online, from two different third party sellers! They are Artfinder and Saatchi Art (formerly known as Saatchi Online.) I was kind of hoping this was going to lead to a flood of orders from around the world, but hey, whaddya know!?, that hasn't happened yet, but I'm hoping to be inundated any day now. I'm selling different work on each site as well, to see if that helps.

OK, so please do go check me out on these different sites. Both are good in their own way - I personally used artfinder to buy my husband a Christmas present (print of Hitchcock made up of all his film titles, as he's a big fan), and I think they were really good. Saatchi has the edge in terms of quality of artists signed up at the moment though, I would say. I could personally spend several thousand pounds on amazing artwork every single time I go there - I'll post some examples of some of my favourites soon. But first, me:

Artfinder: https://www.artfinder.com/hannah-cawthorne

Saatchi Art: http://www.saatchiart.com/profiles/portfolio/id/679404


I partly joined Saatchi Art as they currently have a competition running that I thought it would be good to enter, called Showdown. If you would be so kind to check out my entry and vote for it (only the top 300 as voted for by the public make it through to the next round), you can do so here. There are about 6500 entries in all, and you vote by grading them 1 (bad) to 5 (excellent). You can vote on as many as you have patience for, as once you have voted for mine (which you are going to, right?), they will just keep showing you new entries at random. The top 300 (I guess the one with the highest amounts of 5's) will then go through to the next round. It's actually pretty addictive, getting to pass judgement on loads of other artist's work. (Does that make me a bad person?) It's also just good to see what kind of work other artists are producing right now as well.
 The range of quality in the competition is pretty varied - there's lots of poor stuff, but there's equally loads of really wonderful stuff. I'm perfectly OK with the fact that I'm highly unlikely to make it through. I just hope some of my favourites get through to the next round. That's what keeps me voting, I want to have my say on as many entries as I can. And, I have to say, I think my picture holds its own, even against the best of the ones I've seen so far.


Here is my entry, one of the new batch of pictures that I have just finished editing, from my trip to Budapest last October.

That one just narrowly beat this one into second spot, and is one of several from this new batch that I'm really pleased with:

Of course, in situations like this, you might want to ask, "how do we judge a piece of art?" "Who are we to say that this work is "better" than that?" Well, give the voting a go and you'll soon get your own ideas about criteria. For me, I have my own unique mix of -  what probably aren't entirely objective, but I like to think they are so some extent -  criteria, and my own personal preferences. I'm looking for a good idea, well executed, with some original thought and creativity going into it. But for the top marks, I guess there's no denying my taste is going to come into it a lot, as I'm only giving 5's for things I really love; things I would happily hang on my wall and look at for minutes at a time. And I do have a particular brand of artwork I really like, and which might not be other's cups of tea at all. So I guess personal preference will always come into it when judging art, which makes these kind of competitions really hard to judge on, which is why I'm not too bothered that I won't win! (But maybe, just maybe....)

OK, as usual, so much more to say, but it's going to have to be another time once again! Now go check out that art competition!